(via INCIDENTAL COMICS: Draw Like You’ve Never Been Taught)
I really could have used a simple guide like this back in college. Unfortunately I had instructors who made drawing so damn complicated that it totally sucked the life and fun out it. So I graduated with a BS in Urban and Regional Planning instead of a BFA in Studio Arts. I really enjoyed drawing as a Planning major but by the time I graduated and was ready to go out into the field, all drawing was being done on a computer. I love drawing by hand. It gives me the feeling that I’m really creating something. I find that it’s more intimate and personal, something I just don’t feel when I’m creating stuff on the computer using software.
I’m the kind of person who has to try something 2 or 3 times before I get it right. So after working out the kinks of finding a good way of doing my own prints, figuring out the most efficient shipping flow and spending the past two days tweaking code and listing products, I’m live with my own store, again. You can now purchase small (4x6) prints of my art at an decent price.
Check out the World of Lil’ Dots store on Bigcartel.
(I think I got the hang of it now. Yay!!!)
Here’s a simple visual how-to on color stippling. This works great when your drawing calls for mostly primary colors but when you get into skin tones and the such you need to be a bit more creative when it comes to choosing the colors to create your shadows. When you need for your colors to be deeper, place your dots closer together. When you need for them to be lighter, place them further apart. A rule of thumb is don’t use black otherwise your shadows will look too harsh. Then again, once you get the hang of this, rules can be broken. Other than that have fun and play around with the colors to see what works for you but if you’re looking for a starting point work with primary colors until you get comfortable and then explore from there.
Never waste your time trying to explain who you are to people who are committed to misunderstanding you.
For about five years now I’ve had this little wooden manikan tucked away in my drawing table drawer. I got it with the intentions of using it to get a general idea about the human form in the absence of a model but I can’t say that I’m really fond of the idea. I admit, I prefer reference photos but as always the little voice in the back of my head keeps saying “Draw from life.” Ugh! Well, this is as close as a can get to life for the moment. I really do wonder just how useful these things are for drawing. Guess that will be something that will remain to be discovered.
(That pole up the middle looks painful. Not to mention the bite marks I found on it’s head.)
Lately I’ve been on a bit of a vacation from my art. It hasn’t been so much that I needed one but rather I haven’t been too inspired or motivated to draw. It’s inevitable that anyone who is in the craft of creating art will have such moments. For me, it happens about twice year; I’ll open up my sketchbook or drawing pad and my mind just goes blank. Sometimes these moments will last for a day or two, sometimes for two to four weeks. Eventually I come out of it but it can be a bit agonizing when the desire to create is there but you just can’t come up with anything. Here are a few things I do to get through my creative slums.
Now, with that being said let me go grab my sketchbook and get to scribbling.
So I’m at it again, stippling rocks, stones and pebbles. I’m beginning to wonder if there’s some subconscious psychological significance to why I like drawing them so much. Or maybe it’s just that I like round things, who knows. I had to work with a limited palette since Microns don’t come in an array of colors. It wasn’t that bad but I really wished I had a gray and a yellow and that my green hadn’t dried out. I broke the rules on working with strict complimentary colors that I learned back when I first started stippling because honestly, I really wasn’t diggin’ the whole orange as a compliment for blue so I mixed in some brown and purple on a few stones to tone it down a bit.